Gloss Liechtenauer wants the young knights to love God. As Alanus de Insula said in his Summa de arte praedicatoria relying on Ephes. 3, “Amor Dei mater est omnium virtutum, amor saeculi mater est omnium vitiorum.”, the love to God is the mother of all virtues, while the love for worldly things is the mother … Continue reading Liechtenauer New Glosses – Preface Part 1
Category: Fighting
Analysis of the Liechtenauer Poem
The analysis of the Liechtenauer fencing poem was the first step to create a critical edition based on content and linguistic aspects. The preconditions that lead to this method of analysis had been discussed in the article entitled: The Path to the Origininal Poem of Master Liechtenauer. For the analysis of the Liechtenauer version I … Continue reading Analysis of the Liechtenauer Poem
The path to the original poem of Master Liechtenauer
If we compare the versions of the Zedel by Master Liechtenauer to each other, and to the poem originated by Magister Beringer we will recognize at first sight the different number of verses. Same happens in comparison of the Nürnberg Hausbuch with most of the other variants of Liechtenauer Zedel. Two simple explanations come to … Continue reading The path to the original poem of Master Liechtenauer
Treatises to the Long Knife (Langes Messer)
The Long Knife (Langes Messer) is a cut and thrust weapon from the Middle Ages, which enjoyed great popularity as a weapon of defense especially in the 15th and 16th centuries. There are several instructions in fencing books for the Long Knife. In the following article I have listed most fencing books which I have … Continue reading Treatises to the Long Knife (Langes Messer)
Five Rules Of Footwork
The first rules of the common laws of fencing in the most prominent manuscript on Liechtenauer fencing tells us about the geometry of fencing and how we should step. It is a chapter about correct footwork. In general it tells us that the art of fencing is not in jumping forward and hit with the … Continue reading Five Rules Of Footwork
Translator’s Problem: a “Stück” of Fencing
When we come to the translation of fencing books we will find that there are sets of combined body motions mostly done solo or together with a partner. But how are those sets of motions described by images and text are to be translated? In German they are named “Stück” which is a very flexible … Continue reading Translator’s Problem: a “Stück” of Fencing
Historical Martial Arts and Self-defense
Self-defense is a big thing in martial arts, because it sells better than ever. Everywhere self-proclaimed self-defense experts emerge. Hardly a martial arts school that does not advertise - up to a 21-year-old, who after a few years of practice, sells an online course. It is a sad mirror of the Angst that is found in … Continue reading Historical Martial Arts and Self-defense
Explaining the German fencing terms by simple means of wrestling
Explaining the Liechtenauer five words and other German fencing terms is a very simple thing if you look at them from the perspective of a wrestler. There are reasons why the manuscripts state that all fencing stem from wrestling. I like to give you some examples using the images and plays of the great 16th … Continue reading Explaining the German fencing terms by simple means of wrestling
Of buffaloes and peasants not knowing to feel the sword
Keith Farrell is one of my favorite author and sword companion especially if it comes to teach me the Scottish way of fencing from the later centuries than my late medieval sources. In his latest post "Reconsidering the buffalo" he reminded me of a fencing term that I explored some years ago but never brought … Continue reading Of buffaloes and peasants not knowing to feel the sword
Talhoffer Dagger – Part 1 – Treiben zu den Blößen
The first plate of the Talhoffer dagger plays in the Munich manuscript, 1467 Cod. icon 394a, contains the main guards or "free stances" in Dagger. The plate is to be understood as separate even they could be constructed as a sequence. To the right side we see the Oberstich and Unterstich (combined as a Treiben). At … Continue reading Talhoffer Dagger – Part 1 – Treiben zu den Blößen